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Andreas Sitorengo

He was born in Sienna, Italy in 1972. He studied painting, engraving and sculpture at the Athens School of Fine Arts, in the workshops of D. Mitaras, T. Patraskides, and G. Lappas, respectively. Sitorengo won a scholarship from the Lillian Voudouris Foundation, through which he attended classes in cinematography and video art with D. Kozaris at the Accademia di Belle Arti di Bergamo (Italy) from 1998 to 1999. In 1995, he attended a four-month course at the Winchester School of Fine Arts on a scholarship through the ERASMUS program. In 2003, he completed his Master’s in Digital Forms of Art degree at the Athens School of Fine Arts. In 2009, he won another two year scholarship from the State Scholarship Foundation in order to complete a research project in sculpture with instructor G. Lappas. Sitorengo’s work has been exhibited in many festivals, museums and foundations throughout Greece and internationally. In 2009, he completed his first personal exhibition at the nonprofit organization, “Zeon”, titled “Places for Underground People”. His second personal exhibition titled, “Dry Soul”, took place at the Municipal Gallery of Heraklion, Crete in 2010. In 2012, Sitorengo completed a personal show titled, “Placenta”, at the Fizz Gallery in Athens, Greece. In 2017, the Contemporary Art Museum of Crete accepted and exhibited his personal show titled, “Anthropocene 20C”. All of his personal shows are curated by the art historian, Anna Hatziyiannaki. He has also participated in the completion of several byzantine iconography projects in churches in throughout Greece, Cyprus, S. Korea and the U.S.A. In 2017, he was granted a tenured position as, Assistant Professor of Sculpture, in the Department of Interior Architecture, at the University of West Attica (UNIWA).

http://www.sitorengo.com/

andreas.sitorengo@gmail.com

“north and south”: λάμπες νέον, ξύλο, μαλλί μοχέρ, φύλο χρυσού, διαστάσεις 2Χ2 μ

Δίδυμο γλυπτό, το οποίο αποτελείται από δυο διαφορετικού μεγέθους γλυπτά, τα οποία έχουν τη φόρμα του στρογγυλού τραπεζιού που κόβει το κρέας ο χασάπης. Η βαθειά ατρακτοειδής τομή στην πάνω επιφάνειά τους, που παραπέμπει στα θηλυκά εξωτερικά γυναικεία όργανα. Χρησιμεύει για να τοποθετηθεί η σπειροειδής λάμπα με κόκκινο φως neon, πλεγμένη με mohair σαν κουκούλι (παραπομπή στο έμβρυο). Το μικρότερο γλυπτό, ξύλινο κι επιχρυσωμένο, αντιπροσωπεύει τον προνομιούχο κόσμο του Βορρά. Το μεγαλύτερο, από σίδερο, κόκκινες λάμπες neon, PVC και ίνες mohair, αντιπροσωπεύει τον κόσμο του Νότου. Μεταξύ τους τα δύο γλυπτά, συνδέονται με ίνες mohair. Από τα δυο όμοια «κουκούλια» θα γεννηθούν όμοια πλάσματα με ανόμοια μοίρα εξαιτίας του διαφορετικού τόπου και χρόνου γέννησης.

emoticons : αντίγραφο πεζοδρομίου από δημόσιο χώρο και προβολή projection mapping με εγκλωβισμένα emoticons στα θραύσματα του πεζοδρομίου με αναφορά στα εγκλωβισμένα συναισθήματα των ανθρώπων με κινητικά προβλήματα στον ελληνικό δημόσιο χώρο.

Δύο (two)

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